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Written by Smokey Robinson, this was Mary Wells biggest hit for the label and more or less marked the end of her tenure there. In the years leading up to that album, Houston had been struggling to break through on the charts, and this disco take was even originally meant for label darling Diana Ross instead. Aint Nothing Like The Real Thing Marvin Gaye & Tammi Terrell / U.S. R&B, 18. Do you like present day dance remixes of Motown classics? K.H. What Becomes Of The Broken Hearted Jimmy Ruffin. The upbeat tempo contrasts to the cringeworthy moment as her heels slide up and down the marble tile to the euphoric horns very rock & roll. Play with guitar, piano, ukulele, or any instrument you choose. Had to get you and so I knew/I had to learn your ways and habits. Smokey Robinson penned the track, and the language is consistently sinister even when the rabbit turns on the fox, love is likened to a sudden slap. But Youngs vocals are pristinely untroubled, and the music is all easy swing and bright strings: In this version, rabbit and fox live happily ever after. The result was a sweet, transporting tune and a hit their first as the Supremes (rather than Diana Ross and the Supremes) in three years. Adult Contemporary, 13. You could sing the telephone book on top of this rhythm section and it would still be a hit. The strutting foundation of All Night Long is unimpeachable, a squirt of bass notes scattered around a dry, echoey snare drum. Holland-Dozier-Holland, whod practically written The Supremes rise to fame, had quit the label, and the group could not afford to slide. Lady (You Bring Me Up) The Commodores / New Zealand, 12. Dont you hate when facts ruin a good story? If youre not in the mood, this can almost be too intimate but who isnt in the mood when Marvin starts to sing? Too Hot Ta Trot The Commodores / U.S. R&B, 14. The box set also contains an exclusive 100-page book with rare and classic photographs, detailed track annotations and an introduction by Smokey Robinson, himself responsible for 20 Motown No. The Supremes (1966) This Holland-Dozier-Holland opus is one of Motown's most prolific cover songs: Rockers Vanilla Fudge took it to the Top 10 in (1968), and British pop star Kim Wilde carried it . As a recording, with its swaying harmonies and Michael McCarys spoken Barry Whitestyle interlude, End of the Road had one foot in the past and another stepping forward, and it spent 13 weeks at Number One to break the long-standing record that Elvis had set with Dont Be Cruel/Hound Dog. K.H. Pop, 14. [The feeling of] Easy like Sunday morning applies to anybody who lives in a small Southern town, he once told, . with Key, BPM, and easy-to-follow letter notes in sheet. On the tune, one of her first forays into more mature, soul-music territory, she narrates the tale of an illegitimate child, racked with guilt, scorned by her mother (and society), and embarrassed by her own existence. I Cant Help Myself Four Tops / U.S. It feels so real but its just my imagination running away from me. The tune is one of Kendricks finest vocals the Tempts Otis Williams remembers him staying up all night to nail it but by the time it hit Number One, Kendricks, who had become frustrated with the Temptations, had already quit the group. It will be available digitally and in the eye-catching physical release, in which the 11 CDs are housed in a replica of Motowns original Hitsville USA headquarters in Detroit, Michigan, now home to the Motown Museum. The track, originally titled Oh, My Marsha after Wonders girlfriend, is expertly featured in. I Can't Help Myself (Sugar Pie, Honey Bunch) (Extended Alternate Background Vocals Stereo Mix) 2-16: Four Tops - Something About You: 2-17: The Supremes - Stop!